![]() ![]() Swing out the D750's 3.2-inch, 1,229k-dot resolution LCD screen and, although it's quicker to autofocus in live view than previous generations, it poses potential issues given it can't match the viewfinder-based autofocus system (that we'll talk in more detail about later).įortunately the D750's design is still decent - it's a near mirror-image of most of the company's full-frame DSLRs - but the trimmer width means the space between the lens and protruding handgrip is a little squeezed. But that's the competition.Īnd Nikon - introducing a tilt-angle screen to its full-frame line-up for the first time in the D750 - hasn't quite caught up to those standards. Canon has already impressed with its EOS 70D and decent live view thanks to what is calls Dual Pixel autofocus. Tilt-angle or vari-angle LCD screens aren't a brand new thing in DSLR cameras. But is it truly worth paying extra for a DSLR with a tilt-angle screen when Nikon has never quite nailed super-fast live view autofocus? We've been putting the Nikon D750 through its many paces to find out. The Nikon D750 is here to test that market. Newcomers like using a screen to take shots rather than always relying on a viewfinder. So why now? The proliferation of the camera market with mirrorless compact system cameras and a tendency for smaller, more manageable products has added pressure to the more traditional companies.
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